Fiber optic connector is appropriate for applications which flexibility is required, like ONTs which have a connector interface. Generally, splice is recommended for drop cables in the places where no future fiber rearrangement is necessary, like a greenfield, new construction application where the service provider can easily install all of the drop cables. Both methods have their own pros and cons. Fiber optic connector can provide an access point for networking testing which cannot be provided by splicing. However, splice lack of operational flexibility compared with fiber optic connector. It is known that splice, which eliminates the possibility of the connection point becoming damaged or dirty with a permanent joint, has better optical performance than fiber optic connector. Whether to use a fiber optic connector, which can be easily mated and un-mated by hand or a splice, which is a permanent joint? The following will offer the answer and the solutions for your applications. Thus, finding a flexible, efficient and economical drop cable connectivity method becomes a crucial part of broadband service. However, drop cable as the final connection from the fiber optic network to customer premises also plays an important role. It’s necessary to choose a right architecture for FTTH network from overall. The following shows the cross section of a round drop cable with one tight buffered optical fiber.ĭrop Cable Connectivity Method: Splice or Connector? Round Drop Cable usually contains a single bend-insensitive fiber buffered and surrounded by dielectric strength members and an outer jacket, which can provide durability and reliability in the drop segment of the network. Typical fiber counts of figure-8 Drop Cable are 2 to 48. This type of drop cable is fixed to a steel wire as showed in the following picture. The following picture shows the cross section of a flat drop cable with 2 fibers.įigure-8 Aerial Drop Cable is self-supporting cable, with the cable fixed to a steel wire, designed for easy and economical aerial installation for outdoor applications. Drop cable usually contains one or two fibers, however, drop cable with fiber counts up to 12 or more is also available now. The following part introduces three most commonly used drop cables divided according to the cable structure.įlat Type Drop Cable, also known as flat drop cable, with a flat out-looking, usually consists of a polyethylene jacket, several fibers and two dielectric strength members to give high crush resistance. Drop cables are available in many different types. As it is used in outdoor, drop cable shall have a minimum pull strength of 1335 Newtons according to the industry standard. They are typicality small diameter, low fiber count cables with limited unsupported span lengths, which can be installed aerially, underground or buried. These units are compatible with the FTD110DB card module receivers too.Drop cables, as previously mentioned, are located on the subscriber end to connect the terminal of a distribution cable to a subscriber’s premises. Copper to fiber media converter includes Ethernet ones providing. This small, but mighty, design also comes ready for wall-mounted applications. Copper to fiber media converters enable connections of copper-based Ethernet devices over extended distances via a fiber optic link, which protects data from noise and interference and future-proofs a network with additional bandwidth capacity. This plug-and-play product provides instant product compatibility for most major security manufacturers' equipment and reliability in harsh environments, a perfect compliment to any commercial, government or intelligent transportation application. The FTD110DBMicro 8-Bit Digital Video and Data Modules, features high-performance laser-based optics for the clearest, most reliable data transmission over one fiber for both single and multi-mode with no video degradation over the entire operating distance (up to 20km), as well as RS-232/422/485 serial data ports.
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The line was quietly discontinued sometime in 2017 and was since clumsily re-named “Speedmaster Two Counters Chronograph,” to ensure there’s no mistaking the elemental components of what makes a Moonwatch a Moonwatch, which is to say, a 42mm case, three registers, no date, a hand-wound movement, and an aluminum tachymeter bezel – just as god and Ed White intended. For a while, it felt as though this would eventually become the modern Speedmaster Moonwatch, but it was a Moonwatch in name only, and the community responded in kind. It was a move made, perhaps, to correct past mistakes, as it was that persistent tinkering that led us to the 9300-series Moonwatch from 2011 – a dramatic, divisive, and then-modernized automatic Speedmaster Moonwatch with a bi-compax layout, a larger 44.25mm case, and 100 meters of water resistance. I’ll be the first to admit that, though I’ve always loved Omega’s propensity to flip the script and continually tinker with its own formulas, taking a page out of a certain Geneva maker’s book – to make minor, incremental changes over the long term – was a welcome change of pace and absolutely the right call to make when it came to the crucially important Speedmaster Professional. So, to give credit where it is most certainly due, Omega’s designers did “just enough” to bring the Moonwatch current, paying fan service along the way, while wisely resisting the urge to dramatically overhaul the platform, as the brand routinely seems to do with many of its properties. It’s a monumental undertaking to overhaul a beloved property without forsaking its legions of fans – a collective so passionate, their fervor commands its own day of the week (hat tip to our buddy RJB at Fratello for pioneering the #SpeedyTuesday madness). 3861 hand-wound movement – all changes that do little to diminish what makes the Speedy great in the first place. The dial and physical bracelet of both versions have also been updated, and the watch is now powered by Omega’s state-of-the-art cal. For this long-awaited update, Omega’s made the visual distinction between the two variants a little more apparent, with the hesalite coming in with a more matte presentation, and the sapphire getting polished center links, case flanks, and an applied Omega logo at 12 o’clock. The new hesalite front crystal variant still remains the most faithful specification to that which was originally flight-qualified by NASA and would later walk on the moon, while this “sapphire sandwich,” nicknamed for its sapphire front crystal and exhibition caseback, tends to appeal to those who crave the visual identity of the iconic Moonwatch but with a subtle, more luxurious flourish. Unfortunately, the introduction of this new Moonwatch generation isn’t likely going to make the choice any easier. Hesalite or sapphire? It’s the most natural place to start with the Moonwatch, and perhaps the best-known “this or that” quandary in the watch fam, albeit one with no real right or wrong answer. More importantly, though, it finally gives “Speedy-curious” collectors a chance to revisit an icon and even perhaps see it in an entirely new light. All that changes with the new Master Chronometer-certified Speedmaster Professional Moonwatch, which fully modernizes Omega’s most beloved chronograph and subtly improves its visual identity while deftly appeasing the notoriously picky Speedmaster collecting community. And while demand for the venerable “Speedy Pro” has never formally waned in the collecting community, Omega’s hesitancy to modernize its most important property had maybe started to get a little long in the tooth, leaving the Moonwatch feeling dated in face of increasingly stiff competition from Breitling, TAG Heuer, and most recently, Zenith. Leading that charge has been the long-awaited update to the Omega Speedmaster Moonwatch Professional. As we charge straight into the Year of the Ox, in the watch world, it’s really starting to look like the Year of the Chronograph, with blockbuster releases dominating the conversation thus far. For Film Composers:įrom Hollywood blockbusters to popular TV series - Cubase is the go-to DAW for some of today's most successful media composers. And the state-of-the-art mixing desk is unmatched in terms of flexibility and quality, combining studio-grade sound with the comfort of a modern-day DAW. With its award-winning audio engine, industry-acclaimed tools and the seamless integration with existing studio gear, Cubase is well tailored to professionals working in the music, film and game industry. For Producers:įor countless music producers and audio engineers around the world Cubase is an essential tool of their daily work. And once the recording session is over, simply select the best parts and conjure the perfect take within seconds. Thanks to the Control Room section you can provide each of your band members with an individual cue mix. The integrated mixing desk combines utmost flexibility with top-end channel strip modules for luxiouros, pro-console sound. Whether you are in the studio or in the rehearsal room, Cubase is the DAW of choice for capturing your songs in the most professional way. And, to top it off, you get a choice of thousands of inspiring instrument sounds and loops that bring your ideas to life. From the very first beat to the final arrangement, Cubase assists you with intelligent features, including automatic voicing harmonization and convenient composing assistance for generating beautiful chord sequences. For Songwriters:Ĭompose and record songs whenever inspiration strikes - Cubase bristles with an eclectic ensemble of creative tools that are both easy to use and highly musical. The world's most popular DAW lets you record, edit and mix your songs like a musician, while providing you a professional, studio-grade audio quality at all stages of the creative process. Cubase does it all: spacious orchestral arrangements, experimental indie pop, floor-filling electronic music or enthralling metal - Cubase offers dedicated tools for all of these musical genres and many more. |
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